Rich Media

Media Week's digital editor Rich Sutcliffe looks at the worlds of digital, print and the grey areas in-between
Wired magazine's US editor-in-chief has some forthright, and well-judged, views on life and, more specifically, the changing business landscape in the digital age.

 

His best-selling book, The Long Tail - which espoused the value to be tapped in the multitude of niches within the market - is soon to be followed by his next foray (Free - an exploration of the ‘radical price point of zero').

 

Speaking on Friday, at a Conde Nast-organised Wired seminar, Anderson, interviewed by UK Wired editor David Rowan, talked, among other things, about what "free" means for businesses - and in the crudest terms, it seemed to boil down to getting people hooked on a free, possibly inferior version of your product, then charging them for the good stuff. Sound familiar? It's a model much loved by drug dealers on many of our less-salubrious estates.

 

Explaining in more detail, "free", in this instance, can't mean you give everything away for free. While the nature of the internet is driving the price point to nothing - falling storage, server and bandwidth charges - a purely ad-funded model is still not a good idea in the current market. Companies, said Anderson, are shifting their model to direct payment - they want to be cashflow positive now

 

What he suggested is that businesses need multiple versions of their products, in order to give away free to the majority, but get about 5-10% of people to pay for the same content or a premium version of it.

 

In Wired terms, Anderson explained, this means giving the content away online for free, but getting people to buy the magazine. Sounds easy enough, although this week's ABCs will show the last bit is a little trickier in reality.

 

The "freemium" model - some free content with premium services paid for - is already operated by a few major publishers, The FT being the obvious UK example, and is how Anderson sees the future of content provision being funded. The Wired model, free online content but a paid-for print version, is pretty much what every remaining publisher adheres to. But at the moment, for many, this latter iteration of the "free" model is not working.

 

Removing the ‘walled garden' and offering total open access, relying solely on ads for revenue has been the rallying cry of the majority of traditional publishers as they charge headlong into the digital age.

 

The fact they are all are finding it tough to replace the lost print advertising and circulation revenues by generating cash from even huge online audiences makes either of Anderson's suggestions (free online and pay for print, or some free online and some paid for) a little hard to square for everyone in media who's currently struggling.

 

"Getting someone to pay for something they love is a nice problem to have," said Anderson on Friday. Unfortunately, driving prices higher at any time, let alone in a recession, and let alone from free to paid for, is not an easy task.

 

Anderson has a well-deserved reputation as a deep, solid thinker and it would be unfair, and a mistake, to prejudge his Free book on the basis of a half hour interview, in which it wasn't even the main topic.

 

But, it does feel as though free is just how it is. There is no going back for publishers. There is no chance that people will start to pay for something they've enjoyed for free for so long. And there's not much, if anything, in terms of information, that an average consumer is now, or will be in future, willing to pay for.

 

Which only begs the question, if the ad-funded model doesn't start working, and people aren't prepared to pay for information, how are media businesses ever going to fill the revenue void?

 
 

All Comments

  February 11, 2009

The reasons the ad model doesn't work can be explained and fixed.  The content model cannot be paid if the nature of content on the web is the same as content in a magazine.  Online publishing is not print publishing served up on the web.  The better begging question is surely, how can we make the ad model work, and what kind of content can be of the paid variety?  For lengthier argument on this see www.neilthackray.wordpress.com

  February 11, 2009

There needs to be synergy with print and web, so that you build brand advocacy and consumers look to both - this means keeping the content familiar but varied.  Essentially, print will never become extinct as some people have predicted but online advertising offers a far better ROI than print advertising, which is essentially just branding.  

To comment on this post you have to be logged in

Search Community

 

About this blog

Rich Media
Media Week's digital editor Rich Sutcliffe looks at the worlds of digital, print and the grey areas in-between

Contributors

Rich Sutcliffe

Blogging for:

Rich Media

Member since: 03 Jun 2008

Last login: 19 Nov 2009

Total Posts: 303

Recent Posts

Archives

Syndication

 
 

ADVERTISEMENT