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<?xml-stylesheet type="text/xsl" href="http://community.brandrepublic.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Ad agencies unite against road safety campaign pitch fiasco. </title><link>http://community.brandrepublic.com/blogs/arnold_on_ethical_marketing/archive/2009/05/04/ad-agencies-unite-against-road-safety-campaign-pitch-fiasco.aspx</link><description>Seems we in the UK aren’t the only ones to get exploited when it comes to mass pitching. The Spanish government’s equivalent of the Department of Transport, DGT, has just held a pitch involving 18 of Spain’s top agencies and managed to upset 17 of them</description><dc:language>en</dc:language><generator>CommunityServer 2007 SP2 (Debug Build: 20611.960)</generator><item><title>re: Ad agencies unite against road safety campaign pitch fiasco. </title><link>http://community.brandrepublic.com/blogs/arnold_on_ethical_marketing/archive/2009/05/04/ad-agencies-unite-against-road-safety-campaign-pitch-fiasco.aspx#45240</link><pubDate>Sun, 24 May 2009 16:02:02 GMT</pubDate><guid isPermaLink="false">0f8ed6bf-041d-4f2c-bb76-9560b958a575:45240</guid><dc:creator>Audio Android</dc:creator><description>&lt;p&gt;Interesting article and I absolutely agree - 'pitching' en masse is so often a waste of time. Too many people's time .. and money - and it's only when you ad up the collective man hours &amp;amp; cost - that you see just how devastatingly negative it is.&lt;/p&gt;
&lt;p&gt;But I have no sympathy for a lot of &amp;nbsp;agencies. &lt;/p&gt;
&lt;p&gt;Whilst some play fair and work properly and professionally - many dont.&lt;/p&gt;
&lt;p&gt;As a music composer, I'm lucky enough (or I've worked hard enough) to generally be out of the 'pitching' circle - but let me tell you - agencies themselves can be NO ANGELS when it comes to enjoying pitches en masse from creative freelancers.&lt;/p&gt;
&lt;p&gt;Where as the norm used to be paying a demo fee to 3-5 composers to pitch for a job (and communicating directly with those composers over the brief) - often now (by no means always) I see an agency instead pay that small demo fee to a (so called) 'Music Supervisor' who will keep that donation for themselves and each get 10-50 music composers to pitch for free (with the promise of a large sync fee for the 'winning' composer) - this can mean100 - 250 composers all pitching through a Music Supervisor who will put forward maybe 10 tracks each.&lt;/p&gt;
&lt;p&gt;Criminal. &lt;/p&gt;
&lt;p&gt;- And as you point out, no way to get professional results.&lt;/p&gt;
&lt;p&gt;Like I say - it's not everybody &amp;amp; all of the time - just some teams/agencies some of the time...&lt;/p&gt;
&lt;p&gt;Not directly on topic I know ;D) But certainly related.&lt;/p&gt;
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